Monday April 3rd 2023

8pm | Doors 6pm

$15 Advance | $20 Day of Show

Erik Huey, aka Cletus McCoy, co-founder of The Surreal McCoys, released his debut solo album, Appalachian Gothic, on January 20, 2023 via Appalachian AF/CEN/The Orchard.

The son of four generations of coal miners, Erik grew up on the banks of the Monongahela River in West Virginia and Western Pennsylvania. He came of age on punk rock but eventually discovered that he could never truly escape the gravitational pull of his Appalachian roots. From the on-ramp of The Blasters, X, The Beat Farmers, and Mojo Nixon, he wandered upstream along the Hillbilly Highway until he unearthed some old cassettes by Johnny Cash and George Jones—artists he’d listened to as a kid in the cab of his Uncle Jack’s 18-wheeler.

While the McCoys were a cowpunk, outlaw country outfit known for their originals and creative mash-ups such as “Whole Lotta Folsom,” Huey dug closer to home for the songs and stories on his debut, mining his own history — he’s descended from four generations of West Virginia coal miners — for the album.

The album was recorded at Cowboy Technical Studios in Greenpoint, Brooklyn and produced by Eric “Roscoe” Ambel, the legendary Rock ‘n’ Roll guitarist (Joan Jett, Del-Lords, Steve Earle & The Dukes) and producer (Bottle Rockets, Jimbo Mathus, Yayhoos, Sarah Borges). Erik (aka Cletus McCoy) is the frontman of The Surreal McCoys, a Cowpunk Americana band that—boosted by airplay of its single “Whole Lotta Folsom” on SiriusXM’s Outlaw Country and other outlets –cracked the Top 50 on the Americana Album Charts and currently enjoys over 35K monthly listeners on Spotify, where it is North of 2 million spins.

Huey grew up in West Virginia in the heart of coal country, and Appalachian Gothic finds Huey taking a nostalgic deep dive into the Appalachia of his WV youth while wrestling with the contemporary realities of a hardscrabble region that’s been left behind in many ways.

While the album explores darker themes and raw subject matter such as the legacy of coal mining and the ravages of the opioid crisis on songs like “The Devil is Here in These Hills,” “Dear Dad,” “The Appalachian Blues,” and “The Battle of Uniontown,” it also taps into a defiant streak of optimism on twangy upbeat rockers like “Winona” and the pro-union anthem “Yours in the Struggle,” about which SiriusXM Outlaw Country’s Mojo Nixon states, “Erik and Roscoe subvert ‘Take Me Home, Country Roads’ into a union organizing song! Genius!!”

The album is already receiving accolades in the music press, including the following:

“Letting his vocals complement the twang of pedal steel and the barroom piano, the song is almost a meta take on the country music lifestyle… a fun honky-tonk anthem.”

—GLIDE (“Drink All Day” premiere)

“Genius!”                    

—MOJO NIXON, SIRIUSXM OUTLAW COUNTRY

Like fellow Punk to Americana converts, Dave Alvin, Willie Nile, and Blag Dahlia, Erik Vincent Huey trades snarl and swagger for a more Springsteen-esque approach.

—THE ALTERNATE ROOT

“An anthem of Guthrie-esque proportions… ‘Appalachian Gothic’ is an album that stands alongside the best of those documenting the fates of those caught up in the social and economic fallout of post-industrial America.”

—FOLK AND TUMBLE (UK)

“You may well find yourself singing this for days after you’ve heard it… Hopefully, this is just the start for an artist who, on this album, shows he has the skill to craft good songs across a range of country styles.”

—AMERICANA UK

“Nicely done, a rousing song by Erik Huey and a harbinger of more quality music to come on his forthcoming album.”

—AMERICANA HIGHWAYS